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Monday, 10 December 2018

Costa

2018 Sally Rooney - Normal People
2017 Jon McGregor - Reservoir 13
2016 Sebastian Barry - Days Without End
2015 Kate Atkinson - A God in Ruins
2014 Ali Smith - How to Be Both
2013 Kate Atkinson - Life after Life
2012 Hilary Mantel - Bring up the Bodies
2011 Andrew Miller - Pure Blue ribbon
2010 Maggie O'Farrell - The Hand That First Held Mine
2009 Colm Tóibin - Brooklyn
2008 Sebastian Barry - The Secret Scripture
2007 A.L. Kennedy - Day Blue ribbon
2006 William Boyd - Restless
2005 Ali Smith - The Accidental
2004 Andrea Levy - Small Island
2003 Mark Haddon - The Curious Incident of the Dog in the Night-Time
2002 Michael Frayn - Spies
2001 Patrick Neate - Twelve Bar Blues
2000 Matthew Kneale - English Passengers
1999 Rose Tremain - Music and Silence
1998 Justin Cartwright - Leading the Cheers
1997 Jim Crace - Quarantine
1996 Beryl Bainbridge - Every Man for Himself
1995 Salman Rushdie - The Moor's Last Sigh
1994 William Trevor - Felicia's Journey
1993 Joan Brady - Theory of War
1992 Alasdair Gray - Poor Things
1991 Jane Gardam - The Queen of the Tambourine
1990 Nicholas Mosley Hopeful Monsters
1989 Lindsay Clarke - The Chymical Wedding
1988 Salman Rushdie - The Satanic Verses
1987 Ian McEwan - The Child in Time
1986 Kazuo Ishiguro - An Artist of the Floating World
1985 Peter Ackroyd - Hawksmoor
1984 Christopher Hope - Kruger's Alp
1983 William Trevor - Fools of Fortune
1982 John Wain - Young Shoulders
1981 Maurice Leitch - Silver's City
1980 David Lodge How Far Can You Go
1979 Jennifer Johnston - The Old Jest
1978 Paul Theroux - Picture Palace
1977 Beryl Bainbridge - Injury Time
1976 William Trevor - The Children of Dynmouth
1975 William McIlvanney - Docherty
1974 Iris Murdoch - The Sacred and Profane Love Machine
1973 Shiva Naipaul - The Chip-Chip Gatherers
1972 Susan Hill - The Bird of Night
1971 Gerda Charles - The Destiny Waltz

Thursday, 6 December 2018

On Being A Modern Writer

Nobody will ever miss something you didn't write.

People don't wish they could find a genius they are unaware of, hanker after a writer to inspire them, or wish they could find the book that hasn't been written.

It's the harshest reality a writer must face.

Nobody cares whether you finish your magnum opus - or gives a toss whether you work on it at all.

A book is nothing until it's published - and even then, given the way things are, it's unlikely to sell more than a few copies.

Funny, I write for a living. Have done for the last 20 years. You can get a lot of eyes on things if you include the words: “money, fast and easy” in your marketing but write about anything else and your stuff pretty much disappears.

It’s never stopped me though, because I’m a writer, and writers write, no matter what happens… can you say that?

Writers must find their own reasons to write - and be self-motivated enough to continue without anything but selfish reasons to finish what they start. As Dorothea Brande said in"Becoming a Writer", writers create their own emergencies. They have to, because nobody else really gives a damn.

Recently I was rereading Stephen King's "On Writing" and I noticed something I'd previously missed.

He said he used to believe that writing was a craft and that it could be taught; a skill that, with enough training and guidance, anyone could master. Note, he said he used to think that.

Later in his career, after he'd written around twenty novels, he changed his mind. He realized that the urge to write consistently must be something you're born with.

Think about it - writing for no good reason (except a personal compulsion) is an urge that is so specific - even a little bizarre - that, without it being somehow hard-wired into a writer's DNA, most people, no matter how keen to learn, simply wouldn't bother.

It's not like it's easy, after all.

Some people say that if you find writing easy, you're probably not doing it right. I know from experience that authors who tell me they found writing their novel a breeze, signals that there’s usually a need for some serious editing!

Don't get me wrong. I do think that writing the first draft of a story or a book should be quick, painless, or at the very least, an exhilarating experience. That's usually how your best work feels. When you're 'in the zone' and being productive and inspired, you're a writer, just like any other Dan Brown, Emily Bronte, or Tolstoy.

But that's not all there is to it.

There's endless editing and polishing too. And having something important to say. And having the ability to hold an entire book in your mind - and get it all down on paper. And, of course, the toughest call: being able to arrange your life to find the time and inclination to write every day.

Not everyone thinks writing is glamorous. Even many professional writers have no great regard for the process, only the conviction that, to create something of value and importance, you have no choice but to do it.

You and only you.

Of course, 'value' and 'importance' are relative terms. That's the point. Only Tolstoy thought it was vitally important to write War and Peace. It had no value to his wife, most likely, and none of us would have missed it - or him - if he'd become an alcoholic and never got around to writing more than a few hundred words and threw them away, like many would be authors do.

The next time you're tempted to write a book, think it through.

Is it important you get it all down?

And are you willing to spend 80% of the process on making it perfect?

Because, like Mr King, I used to think that writing half a page of scribbled lines gave you the right to call yourself a writer.

But now, after I've written a couple million or so words, I'm beginning to think that being a writer is more involved.

It's somehow innate in a writer's makeup.

Perhaps practice is all it takes - consistent action and dedication to the art.

But more likely you need to discover the writer within - that guy or gal inside who was never going to be satisfied until you gave them free rein to take over your life.

But if the muse isn’t there, except as a vague yearning, maybe the best thing is to quit while you're ahead!

Because being a full-time writer is still one of the hardest ways to live. Ask any author. Even when you're successful, the motivation to write, stay focused, inspired and clear for long periods can be tough.

Sure, it's rewarding - and often fun.

That’s if readers find you – and like what you do…

But be clear on this: commitment to writing books is not for the faint hearted. And it’s certainly not for those who might be looking to make money fast and easily.

You need patience, and to be a little bit crazy.

Take one step at a time – walk slowly and surefootedly - but be sure you have good sturdy shoes before you start.

Keep Writing!

(c) Rob Parnell

The Writing Academy

Wednesday, 5 December 2018

5 Painless Self Promotion Tips

The joy of being a writer is that you can spend a lot of time at home, safe in your own little world, trying to create something meaningful and communicate through the best way possible, that is: through words on a page.

Many writers choose this career because either a) they're shy or b) they prefer their own company anyway or c) the world seems a crazy mixed up place that doesn't need much of their involvement.

I've spent time in the past with large groups of people who desperately need each other's company - and often - to even begin to function.

I've known unfortunate souls that cry unceasingly when they have no friends to call on, or live in torment until they can chat with another. It's called being gregarious, apparently.

Thankfully, like most writers, I'm not so afflicted.

I've always liked my own company - even when I craved fame in my twenties. I used to forsake the local bars in preference to my guitar or my notebook. Many creative people are like that. We love humanity as a concept but aren't so impressed with the actual process of being a part of it.

So it comes as a great shock to writers nowadays that they are expected to not only write but then miraculously become a shameless self promoter, bouncing around like some Ritalin enhanced extrovert, telling the world about themselves and their work - and supposedly enjoying it!

Writers Do It In Private

Writing is not a spectator sport. If it was, we'd have Saturday Night Writing Live or somesuch on TV. Writers have no choice but to spend time alone - which has its own rewards - but that doesn't necessarily endear ourselves to the media.

So how then are we supposed to suddenly change character and go out and actively promote ourselves?

Publishers and agents, as a matter of course, ask us, "What do you do to promote yourself?" To be a writer is apparently not enough. We have to draw attention to ourselves too - something most writers actively avoid!

A famous writer said to me recently that, despite his acute shyness, he found that media people seemed to find him fascinating. "I only wish I was," he told me. "I spend all of my time writing. How interesting can that make me?"

I know what he means. You probably do too.

To the average writer, the interesting stuff is what's on the page. But the media needs people...

What's the Answer?

My feeling has always been that if writers are to do things that draw attention to themselves, it should be on their own terms

Writer's write.

So here are some easy ways to promote yourself from the safety of your own home:

1. Use Press Releases

I use two methods. I have a list of email addresses and fax numbers of various media outlets. If I'm doing a localised press release, I'll use that. Otherwise I use PR Web, to blitz the world about something I'm doing. Either method ensures publicity without the need for me to actually speak to anyone.

2. Have a Website, Blog, MySpace, Facebook Page etc

Obvious this. A Net presence allows people to find out about you without the need to call you and ask questions. You can even thwart the media's initial intrusions by:

3. Having a Readymade Press Pack

This allows you to have all the questions anyone in the media might ask you, already answered. A press pack should also contain recent glamor shots of you and anything else you think might make an interesting angle for a news reporter. Put the link to your press pack on your website, free to download.

4. Use an Assistant

All celebrities have one. Why shouldn't you? The media doesn't have to know it's your mum or a good friend. Get someone to fend your calls and tell people you're busy, uh, writing is a good one. Either way, put distance between you and the media - they'll think you're more fascinating if you do!

5. For Interviews, use Technology

If someone wants to interview you, use the phone or Skype or a webcam. It's much easier to talk on the radio or give a lecture to a school etc if you're doing it from home. You can always use the old excuse that you're too busy to make the venue - or your chauffeur is sick, whatever - and you'll save heaps in gas too.

And if someone is absolutely desperate to interview you in person, tell them they can come to you! TV crews get paid expenses for these things and news reporters like a day out. Make them work to get you on tape and they're more likely to use your interview anyway.

Hope this helps

Keep Writing!

(c) Rob Parnell
The Easy Way to Write

Friday, 23 November 2018

10 Tips for Better Writing

As a proofreader of business writing, I see many of the same errors made again and again. Errors in your writing (be they in advertising copy, correspondence, or a web site) are more serious, I believe, than most people realize.

Why? Well, the standard of your writing has always been important. Today, though, more than ever before, FIRST IMPRESSIONS COUNT. We are bombarded by the written word in its many forms -- books, pamphlets, magazines, signs, e-mail, websites and many other media.

We are all suffering from information overload and are forced to find ways of screening out as much as we can. We thus tend to make quick decisions on what to read and what not to. First impressions increasingly determine what we read and what we don't, and poor writing leads to a poor first impression.

The following list of tips should help you to avoid some of the most common slip-ups.

1. Capitals: Avoid the temptation to capitalize words in the middle of a sentence Just To Provide Emphasis Like This. If you want to be more emphatic, consider using bold face, italics, color or larger text.

2. Commas: The most common use of the comma is to join together short sentences to make a single longer sentence. We do this with one of the following small joining words: and, or, but, yet, for, nor, or so. For example:

We have finished the work, and we are looking forward to the weekend.

Notice that the two halves of this sentence could each be sentences in their own right. They thus need to be separated with a comma and joining word. In the next example, though, we don't need a comma:

We have finished the work and are looking forward to the weekend.

The halves of that sentence could not stand alone, so no comma was used.

3. Ellipsis: The ellipsis is a series of three -- and ONLY THREE -- full stops used to mark missing words, an uncertain pause, or an abrupt interruption. Avoid the temptation to use six or seven dots -- it looks amateurish. For example, we write:

Niles: But Miss Fine's age is only ... Fran: Young! Miss Fine's age is only young!

4. Excessive punctuation: Only one exclamation mark or question mark should be used at a time. Consider the following over-punctuated examples:

Buy now!!! Great bargains!!!!!!!!!!

Excessive punctuation looks too much like hysteria and detracts from your credibility. Avoid it.

5. Headings: For long works, establish a clear hierarchy of headings. Microsoft Word's heading styles are great for this. (They also allow you to automatically create a table of contents.)

6. Hyphenating prefixes: Most prefixes don't need a hyphen; i.e. we write "coexist", not "co-exist". There are exceptions, though. The prefixes "self-" and "ex-" are almost always hyphenated.

7. Numbers: Numbers of ten or less are normally written as words.

8. Quotation marks: Users of American English should use double quotes (" "). Users of British English should choose either single quotes (' ') or double quotes and stick with them for the whole document. Incidentally, British English usage is increasingly moving towards single quotes.

9. Spaces: Modern style is to use a single space at the end of a sentence, not two. Also, most punctuation marks (e.g. commas, full stops, question marks) are not preceded by a space.

10.Tables: Set table text one or two points smaller than the main body text and in a sans-serif font such as Arial or Verdana. Avoid vertical lines as they tend to add unnecessary clutter.

Armed with these simple guidelines, your writing should be well received every time. Good luck!

(c) Tim North

You'll find over 200 tips like this in Tim North's much applauded e-book BETTER WRITING SKILLS. It's just $19.95 and comes with a 90-day, money-back guarantee. Download a sample chapter.

Tuesday, 6 November 2018

3 Tips to Achieve your Writing Goals

1. Make your goals achievable.

By achievable, we mean realistic and attainable. You might unconsciously have set a goal even others will have a hard time achieving, even if they had the means and the time to do so.

Here's what you can do: break down your goals into small, realistic goals set against reasonable time frames. Oftentimes, you'll achieve your bigger goals if you work on achieving the smaller goals leading to those. The important thing is making your goals as realistic and as achievable as you can.

2. Devise a feasible plan.

You know what you want, but do you know how to get what you want? Do you need technical or artistic training to achieve your goals? Or perhaps further studies? Do you have a set plan of action that will lead to the achievement of your goals? What things, both tangible and intangible, do you need to aid you in reaching your goals?

Take a moment to sit down and list the things you need and make your action plan. This is a good time to break them down into small, realistic goals and then tackle them one day at a time!

3. Resist spreading yourself too thinly.

Sometimes, it's better to work on one goal at a time, rather than doing and shooting for so many all at the same time. Work on so many goals at one given time and you'll find out you're nowhere near achieving even one goal. You won't be able to focus your full energy on one goal.

Prioritize your goals and start with either your top priority or your most realistic goal. You'll discover you're able to do more and achieve more using this approach.

(c) 2004 Shery Ma Belle Arrieta-Russ
Shery is the creator of WriteSparks! - a software that generates over 10 *million* Story Sparkers for Writers. Download WriteSparks! Lite for free - http://writesparks.com

Thursday, 1 November 2018

10 Quick Tips for Writers

These top tips will help you maintain enthusiasm for your chosen craft and make sure you have the mindset to improve and succeed.

Read
All writers are readers first. Writing is how we give back the pleasure we’ve experienced. Good writers don’t read less as their career progresses, they read more, because seeing what everyone else is doing is an important part of staying informed – and relevant – not to mention being entertained and often inspired.

Write
Seems obvious I know but you’d be surprised how many would be writers don’t write daily – the simplest component to assured success. Writing every day is a discipline you must adopt to ensure your work maintains consistency, depth and vision. You need to get used to transferring all of your thoughts into words. Over time, this habit enables you to overcome all kinds of writers’ blocks and guarantee quality output.

Research and Study
You can never hear good advice too often or be so jaded you don’t have something more to learn. Read and listen to what other writers say about writing. There’s always a new perspective. But don’t be feverish about it. Don’t expect every successful writer to know all the secrets to success – there aren’t any in particular. Except perhaps dedication to the craft – that’s all you really need. Once you’re truly committed, the rest will follow.

Try New Forms
Don’t limit yourself. All forms of writing enhance your chosen genre. Learning how to write copy or good poetry can teach you much about the nature of words and their effect. Writing outside of your preferred genre can teach you a lot about structure, characterisation, mood and texture. Trying different styles will help solidify your own. Experimenting with any kind of writing will improve your overall technique.

Nurture Your Creativity
Respect your craft as though it were a physical object, worthy of your love and devotion. Be kind to yourself and your body – the engine of your mind. Eat well, shun excess and harmful influences; seek out happiness and adventure. Don’t dwell on the crass or morbid. Do everything positive within your power to ignite and fan the fire of creativity.

Submit
Never forget that the purpose of writing is for it to be read. Writing is communication – of ideas, of information and of entertainment. Having good writing that is unread is wasteful. Get your best stuff out there – and on the desks of editors, publishers and producers. Post your writing to the web – and direct people to it. Share your gift and strive constantly for publication and your reader’s feedback. It’s the only way for a writer to live. Literally.

Seek Guidance
Don’t be afraid of criticism but remember that you need to measure other people’s advice. Criticism says more about the giver than the receiver. Other writers often want to diminish your success and make you give up, to quash the competition. But creativity cannot survive in a vacuum. It needs guidance and nurturing to blossom fully. Take on board suggestions that will improve your work – and file away the rest.

Love What You Write
You cannot fully engross yourself in an activity you do not cherish. Learn to be passionate about your creativity. Savour the life you bring to your characters and the stories they have to tell. Glorify the edifice your writing manifests. Pay regular homage to the spark inside of you that makes you want to write – it’s a precious thing, not to be taken for granted.

Let Go
Learn to be objective and circumspect about your creativity. No words are set in stone. Not all ideas are beyond potential for further development. Let others take what they like from your work – even if they see things you didn’t deliberately plan. Don’t be afraid to rework ideas. On request, edit, change and improve your work without angst or resentment. Don’t fret that your vision will somehow be lost. It won’t be. When asked to rewrite, don’t feel you must compromise your work, simply make it better.

Have Fun
Enthusiasm is infectious. Passion is a powerful influencer. Take the love you have for your work and direct it outwards – into the public arena along with your masterpieces. Writers need support, encouragement and (let's face it) financial sponsorship to survive. People want to experience your belief in yourself and your projects firsthand when they meet you. They want to be inspired too. Relate your honest and sincere commitment to your work and the people who can help will more readily feel inclined to support you.

I hope these points aid your writing. If you need extra motivation to write, my advice is to print out this article and tape it somewhere in your writing space, or perhaps on your fridge door.

And read it once a day.

Keep Writing!

(c) Rob Parnell

Saturday, 20 October 2018

How to Write Short Stories That Sell

Research your target market. Do they use the type of story you want to write?

Short stories can be of any length from a few hundred to several thousand words. Make sure you aim at the length required by your chosen publication.

Before you start writing decide whether you are going to write this piece in the first or third person. It doesn’t matter which as long as you are comfortable with your decision, but don’t switch from one to the other. It is important to remember that if you write in the first person you can only include what that person sees, thinks and feels.

If you are using the third person it is important that the author should stay out of the story. The reader should never be made to feel as if they are watching a play where they can see all the characters and events. Get inside the head of the main character and stay there. See everything from that point of view. In longer stories and novels it is OK to change your viewpoint from one character to another but only when the main character isn’t present. Don’t switch about from one to the other in the same scene, don’t do it too often and only do it when it is essential to the plot.

Don’t bother too much about length in your first draft, you’ll lose spontaneity. You can edit down to the correct word count when you’ve finished. It is better to do this than try to pad out a piece which is too short.

Having written the story the first thing you should do is read it out aloud. This will show you words and phrases that you have used too often. The most usual fault made by new writers is to name the characters every time they do or say anything.

E.g. ‘“What are you doing?” Mary said. Without waiting for an answer Mary went to the window. Mary looked out over the garden.”

“Just looking for a book,” John said. John went over to Mary.’

Too many Marys and Johns. Only use names when it isn’t obvious who is speaking or performing some action.

Limit the number of characters in your story. Two or three are perfect. Four is acceptable but any more are too many unless you are writing a long short or a novel.

What to Aim For

Most editors love humour. (That is humour – not slapstick comedy.)

They also like a work which ends on a hopeful or upbeat note. They like the main character to win out in the end because readers tend to identify with that person. The reason for this is that editors of magazines want their readers to go on buying the publication. They are not going to do this if, after reading it, they are left feeling miserable, deflated and depressed. Readers are not particularly interested in your skill as a writer. They are only interested in how the result makes them feel. Of course you have to be skilful but the important thing is how it leaves them feeling.

That doesn’t mean that if your inspiration leaves you with a gloomy story that you have to scrap it. Write it. Then read it and try to work out how you could alter it to make your main character a winner instead of a loser.

When you have written the first draft of your story you have to refine it.

Have you ever seen a dog ragging a new piece of blanket in its bed? It shakes it, chews it up, tears at it until it’s just right, then, when it’s nice and comfortable, it curls up on it and goes to sleep. That is what you must do with your story.

It is only when you get to this stage that you need to start editing for length.

At this stage it is better if it is too long rather than too short. Your end product will be better if it is pruned not padded. Ruthlessly cut out all the words you don’t need and all the things that aren’t necessary to the plot (very important – only include what is absolutely essential to the action). Still too long?

Look for long sentences and paragraphs. Could you re-word them so that the same information is given in a sharper and therefore more interesting way? TV is here. People don’t sit down for long periods with a good book. Verbal diarrhoea is not attractive. Don’t scatter adjectives and adverbs like confetti.

A short story should be a walk with a purpose not a ramble in the country. Keep working on your masterpiece until it has fulfilled all the criteria and is exactly the right length. Check it over one last time.

Print out your story. On the cover page put the title and word count and your name, address, phone number and email address. Write a brief covering letter.

Put all the pages together with your letter and a stamped, self-addressed envelope and fasten the together with a paper clip – not a fastener or staple. Put all this into an envelope which is the right size. Don’t stuff it into one that is too small or a large unwieldy floppy one. It is acceptable to fold your ms. once but no more. An envelope designed for A5 paper is fine.

Now address it to the fiction editor of your chosen magazine. Use the correct postage and send it off. Then you wait – and wait. Don’t expect a quick answer. Get back to the computer and start work on your next submission.

You Must Always

Save, save, save your work and always save a backup on a floppy disc at the end of every session on the computer and keep it somewhere safe.

Leave good left and right hand margins. Use double spacing. Use one side of A4 paper. Use a font like Times New Roman 12 pt which is pleasant to look at and easy to read. Number the pages. Put the title and your surname at the top of every page. Have a title page showing, apart from the title and the word count, your name, address, ‘phone number and e-mail address.

Keep yourself out of the story. Stay inside the head of your main character. Read your story aloud to see if it sounds right. Research your target market. Do they use the type of story you want to write? Stick rigidly to the word counts they accept. Don’t think they will make allowances for you. Remember that you are just one of a great number of hopefuls. Ensure that you give your manuscript the maximum chance of success. If it’s outside the guidelines busy editors will probably return it unread.

After you’ve finished editing and rewriting do a final spell-check. Don’t rely solely on the one run by your computer programme. Some words such as there/their/they’re, to/too, its/it’s may not be picked up. Also watch your apostrophes.

And once again so you don’t forget. Save, save, save your work and always save a backup on a floppy disc at the end of every session on the computer and keep it somewhere safe.

Be as professional in your presentation and approach as possible. Be prompt in sticking to deadlines. If you are commissioned to present a piece by a certain date be sure to honour it. Enclose a stamped, self-addressed envelope with your ms. Never use paper fasteners or staples to hold your pages together. Paper clips are perfectly adequate.

Stick rigidly to the word counts they accept. Don’t think they will make allowances for you. Remember that you are just one of a great number of hopefuls. Ensure that you give your manuscript the maximum chance of success. If it’s outside the guidelines busy editors will probably return it unread.

You Must Never

1.         Hassle the editor for a decision. If you do your ms. will probably come winging back to you unread.

2.         Tell editors that you are a new author and hope to play on their sympathy. Your presentation and work should be so good that they won’t guess that you are a beginner.

3.         Tell editors that your submission is so good that they are bound to want it. They will promptly be inclined to decide that they don’t.

4.         Tell them what you expect them to pay. Wait and see if they make an offer. None of us can afford to be picky. There’s too much competition. Writing is a buyers market, not the writer’s. The time to negotiate for higher rates is when the editor knows you and your work and has accepted several of your submissions.

Wait and see if they make an offer. None of us can afford to be picky. There’s too much competition. Writing is a buyers market, not the writer’s. The time to negotiate for higher rates is when the editor knows you and your work and has accepted several of your submissions.


(c) Theodora Cochrane has been a published author for many years.

Thursday, 18 October 2018

The Erotic Books Genre

Erotic books is a term that is used to describe short stories, magazines, and other kind of literature that describe or give accounts of relationships between people especially sexual relationships. They may be factual or fictional though there is little difference between these two especially when it comes to erotic literature. These books contain explicit sex stories that are intended to arouse the reader.

These erotic books have grown in popularity in recent times and this is the case because nowadays it is difficult to differentiate between romance and erotic books.These two terms are practically synonyms in todays world.The fan base is increasing in society as people become more liberal.The internet is the largest source of erotic books and erotica materials.Since the internet is not restricted in any way in the majority of the world in terms of access, people can access the Erotic Books  and other erotica materials any time.Why has the internet become such a popular source of erotic books?

Other than the obvious nature of the availability of the internet, it allows for anonymity for the writers of erotic books.This anonymity has encouraged writers to exploit their talent in writing such content.Some of these writers even provide these erotic books for free over the internet.The need for the erotic books has not been promoted by the internet alone.Programs on TV and pornography pictures over the internet have led to increased need for these books.Television programs have become more explicit by the day and this has made this kind of content somewhat in more demand.The religious groups that have always been fighting against availability, in public, of this erotic content have since lost steam. The writing of erotic books is an art that consists of great sexual knowledge and while kept separate from porn.The writing is very descriptive and is meant to arouse the reader sexually.To achieve this is a great feat that they need themselves will sometimes explore and even meet people to get ideas for books and story lines.However not all erotic books are focused on sexual content, some are romance books with limited sexual scenarios.These can be read by young people as even the love scenes are not so explicit, not so arousing.It goes without saying however that an erotic book is just a book and goes through the normal stages until publication, except of course, the unpublished ones.The reader has to research and learn new trends in the sex content and every time gives the readers content that is fresh and not the normal stuff they are used to.They say that sex is a dirty game, the dirtier, the better.So the sex scenes are being made crazier, with new techniques of lovemaking and sex being invented daily to spice up the act.In fact some people read them to kick start their own lives as sex has become boring with their partner.


(c) Carmella Borcher 

Sunday, 30 September 2018

Booker Prize

Previous Winners

2018
The Milkman by Anna Burns
2017
Lincoln in the Bardo by George Saunders
2016
The Sellout by Paul Beatty
2015
A Brief History of Seven Killings by Marlon James
2014
The Narrow Road to the Deep North by Richard Flanagan
2013
The Luminaries by Eleanor Catton
2012
Bring up the Bodies by Hilary Mantel
2011
The Sense of an Ending by Julian Barnes
2010
The Finkler Question by Howard Jacobson
2009
Wolf Hall by Hilary Mantel
2008
The White Tiger by Aravind Adiga
2007
The Gathering by Anne Enright
2006
The Inheritance of Loss by Kiran Desai
2005
The Sea by John Banville
2004
The Line of Beauty by Alan Hollinghurst
2003
Vernon God Little by DBC Pierre
2002
Life of Pi by Yann Martel
2001
True History of the Kelly Gang by Peter Carey
2000
The Blind Assassin by Margaret Atwood
1999
Disgrace by J.M. Coetzee
1998
Amsterdam by Ian McEwan
1997
The God of Small Things by Arundhati Roy
1996
Last Orders by Graham Swift
1995
The Ghost Road by Pat Barker
1994
How Late It Was, How Late by James Kelman
1993
Paddy Clarke Ha Ha Ha by Roddy Doyle
1992
The English Patient by Michael Ondaatje
1991
The Famished Road by Ben Okri
1990
Possession by A.S. Byatt
1989
The Remains of the Day by Kazuo Ishiguro
1988
Oscar and Lucinda by Peter Carey
1987
Moon Tiger by Penelope Lively
1986
The Old Devils by Kingsley Amis
1985
The Bone People by Keri Hulme
1984
Hotel du Lac by Anita Brookner
1983
Life & Times of Michael K by J.M. Coetzee
1982
Schindler’s Ark by Thomas Keneally
1981
Midnight’s Children by Salman Rushdie
1980
Rites of Passage by William Golding
1979
Offshore by Penelope Fitzgerald
1978
The Sea, The Sea by Iris Murdoch
1977
Staying On by Paul Scott
1976
Saville by David Storey
1975
Heat and Dust by Ruth Prawer Jhabvala
1974
The Conservationist by Nadine Gordimer
Holiday by Stanley Middleton
1973
The Siege of Krishnapur by J.G.Farrell
1972
G. by John Berger
1971
In a Free State by V.S.Naipaul
1970
Troubles by J.G.Farrell
1969
Something to Answer For by P.H. Newby

Saturday, 29 September 2018

A Guide to Creative Writing That Sells

It's unbelievable that with all the creative writing courses out there, that no one teaches the necessity of researching your market before you set pen to paper.

Yes, we all want to be creative and let our imagination go. At the same time, wouldn't it be great to have some of your work published? Even better wouldn't it be awesome to know that you have upped your chances of getting published by around 80% by simply doing a tiny bit of browsing in a library or bookstore?

Here is a way to make sure that there is an interest in your type of story before you pick up a pen or pull out your laptop:

1) Go to the local bookstore and read the writing magazines. Editors actually tell these magazines what they are interested in, in a fairly timely manner. Most of the guess work is taken out for you. You know which editors are looking for what type of stories.
2) Look at the current Writer's Guide. It is filled with editors and publishers looking for fresh material. And guess what? They also tell you what each editor wants and what they are sick to death of.
3) Check out the bookshelves to see which children's books are featured. Is there a trend or pattern? For example the last few years Harry Potter, Artemis Fowl and Charlie Bone have all been hot. It doesn't take a brain surgeon to figure out that magical characters have taken kids and editors by storm.
4) Ask kids what their favorite books are. Ask them why they like one over the other. Ask if their friends are into the same books. Model these themes.

There is no need to make over the wheel or hire a psychic to figure out what publishers, editors and your audience - kids, are looking for. Gather this information and apply it to your writing.

Watch the number of your submissions rise, while your rejection letters become few and far between.

(c) Caterina Christakos is the author of How to Write a Children's Book in 30 Days or Less and countless articles both on and off the net. For easy tips on how to write a children's book, click HERE

Tuesday, 25 September 2018

Factors to Consider in Creative Writing

Creative writing is more than providing people with information. It is the art of sharing one's thoughts and emotions. It is like giving your readers a part of yourself. Not everyone is given the talent to compose one. But if you are willing to learn, there are a lot of ways to consider. Here are some of them.

1. If you are not a college student yet, think about taking up Journalism, English literature or other related courses. This will equip you with the necessary knowledge. You may also consider enrolling in short courses specifically for this form of writing. It may be best to attend workshops as well. There are also online courses available.

2. Write and write and write. Every time you see something that amazes you, write. Each time you feel happy for a reason, jot it down. If possible, do this every day so you can finally find your momentum.

3. Identify when is the best time for you to write. This is to be able to manage your time perfectly. This is also to enable you to produce more inspiring pieces.

4. Read and read and read. If you want to learn about creative writing, you have to know how each creative writer expresses their ideas. Read their works. Study each of them. Discover why people love them.

5. You must also be sensitive to your environment. Study everything that is around you. Interact with people to know their thoughts. Read blogs online. In this way, you will know the plot or highlight of the stories that will interest most of them.

6. Prepare yourself to rejections. Take every rejected work as your chance to improve. Know if in which aspect of writing you still need to harness. Consider every comment or feedback as an inspiration. Remember, some famous writers have experienced rejections several times.

7. You have to be imaginative as well. See in your mind's eye the flow that you will like for your writing.

8. Know your niche. You cannot be a good creative writer if you will cover all the disciplines. You cannot possibly do that. Discover where you are good at and focus from there.

Creative writing is not confined to poetry, short stories, essays and others. It is not all about fiction. It can also be non-fiction. Today, personal blogs can be considered one form. Bloggers share their own tales, which is mostly about travels or other things they enjoy doing. They do this artistically.

If you write for a living, make it a point to track your work hours by using a time tracking tool. It helps analyze your time better.

(c) ​April Dee Barredo

Tuesday, 4 September 2018

Why Fiction Matters

There are some strange folks out there who don't like fiction. Or rather, they don't understand its purpose.

Robert Mitchum -- otherwise an actor I greatly admire -- said he never read fiction because it wasn't true, so there was no point.

To any budding novelist this attitude is as heinous as it is incomprehensible. Unfortunately it is also surprisingly common.

My father for one thinks that novels are too hard to follow so he never bothers with them.

'If it's any good, they'll make a movie out of it,' is one of his favorite lines.

How many times have you heard this?

The implication here is obvious. To non-readers, it's not the writing that's important. It's the story.

Whilst great writing might profoundly impress you or me, most people just want the message, rather than the medium.

People like stories for 4 main reasons:

1. Entertainment

2. Enlightenment

3. Validation

4. To gain hope & salvation

These reasons have been the 'point' of telling and listening to stories since the beginning of time.

As a species, we need them.

They divert our attention from the mundane and take us out of ourselves for a while.

They can show us things we didn't know about ourselves and others. We may gain valuable new perspectives to help us to better understand our neighbors, foreigners, even our enemies.

We need stories to make us feel better about ourselves -- as human beings, as well as personalities. That's why we like to identify with heroes and warriors -- indeed, anyone who can show us how to overcome obstacles.

Finally we need stories to help us make sense of life and the world around us.

In real life, there are no beginnings and endings, just infinite sequences.

You know how it is. You listen to the news. Everything is a segment, a teaser, a sample of every day life. Nothing makes sense because there's no structure.

Without the confines that fiction offers us, we are drowning in a bewildering sea of actions and feelings and urges with no meaning.

Stories 'frame' real life into manageable chunks that have tangibility, involvement and purpose, whether for us individually or as a race.

Surely that's what we were placed on this earth to do!

To make sense of who we are and why we are here.

THAT'S why fiction matters!

(c) Rob Parnell

Writing Academy